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Bibliography

  • AIC-BPG. Paper Conservation Catalogue (1994). 30. Inpainting. Washington, D.C.: AIC-BPG, pp. 1 - 29.
  • AIC-BPG. Paper Conservation Catalogue (1994). 12. Mould/Fungi. Washington, D.C.: AIC-BPG, pp 1 - 29
  • AIC-BPG. Paper Conservation Catalogue -7th edition (1990). 10. Spot tests. Washington, D.C.: AIC-BPG, pp. 12-17.
  • AIC (2002). Definition of Conservation Terminology, available at http://aic.stanford.edu/geninfo/defin.html and in paper copy in AIC Directory 1999.
  • Brown, A.J.E., Bacon, A. (2001). Perspectives on image reintegration. The Paper Conservator, 26, pp 5 – 12.
  • Buchanan, A. (2008). A methodical visual system to create machine infills for missing areas in artworks. The Quaterly, No.26, January 2008. British Association of Paper Historians
  • Caulfield, D. & Gunderson, D. (1990). Paper testing and strength characteristics. Paper Preservation, pp 43-55. Tappi Press
  • Chambers, E. (1975). Manual of graphic reproduction for lithography. London; Manchester: Litho Training Service.
  • Clapp A. F. (1987). Curatorial Care of Works of Art on Paper. New York: Lyons & Burford Publishers
  • Cockerline, N.C. (1995). Ethical considerations for the conservation of circus poster, WAAC Newsletter, Vol. 17, n. 2
  • Cumming, D. (1904). Handbook of lithography. London: Adam & Charles Black.
  • Gallo, M. (2001). The poster in history. New York; London: W.W. Norton.
  • Gascoigne, B. (2004). How to identify prints, 2nd edition, London: Thames & Hudson.
  • Grette Poulsson, T. (2008). Retouching of Art on Paper. London: Archetype Publications.
  • Hey, M. (1979). The washing and aqueous deacidification of paper. The Paper Conservator, 4, pp 66-80.
  • Horie, C.V. (1987). Materials for conservation. Oxford: Butterworth-Heinemann.
  • Hunter, D. (1943). Papermaking, the History and the technique of an ancient craft. New York: Alfred A. Knopf
  • Huxtable, M. and Webber, P. (1987). Some adaptations of oriental techniques and materials used in prints and drawings Conservation Department of the Victoria and Albert Museum. The Paper Conservator, Volume 11
  • Jenkins, P. (1994). Observation of Tape Removal from the Green Man Series of Silkscreen Prints by Dame Elisabeth Frink. Conference Paper. The Institute of Paper Conservation.
  • Kosek, J.M. (2004). Conservation Mounting for Prints and Drawing.
  • London: Archetype Publication.
  • King, A., Phelan, A., W.& Falconer W.E. (1973) On the choice of paper for lining works of art on ground wood pulp supports. Studies in Conservation, 18, pp. 171 – 174.
  • McAusland, J., Stevens, P. (1979). Techniques of lining for support of fragile works of art on paper. The Paper Conservator, 4, pp. 34 – 44.
  • McAusland, J. (2001). The practicalities and aesthetics of retouching: Rationality versus Intuition. The Paper Conservator, 26, pp. 13-19.
  • Smith M.A., Jones N. M. M., Page S. L., Peck Dirda, M. (1984). Pressure sensitive tape and techniques for its removal from paper. Journal of the American Institute for Conservation, Volume 23, Number 2, Article 3, pp. 101 to 113
  • Nielsen, I., Priest, D. (1997) Dimensional stability of paper in relation to lining and dry procedures. The Paper Conservator, 21, pp. 26 – 36.
  • Norton, R.E. (2002). Dyeing cellulose-fibre paper with fibre-reactive dyes. The Paper Conservator, 26, pp 37 – 46.
  • O’Loughlin, E., Stiber, L.S. (1992) A closer look at pressure sensitive adhesive tapes: update on conservation strategies. Manchester: IPC
  • Owen, A. (1984). Treatment and mounting of a poster Anghelterre by A. M. Cassandre. Journal of the American Institute for Conservation, 24:1, pp 23-32.
  • Rayner, J., Kosek, J.M., Christensen, B. (2005). Art on Paper: mounting and Housing. London: Archetype Publications in association with the British Museum.
  • Sterlini, P. (1995). Surface cleaning products and their effects on paper. London: Paper Conservator News, Vol. 76, pp 4-7.
  • Timmers, M. (1998). The power of the poster. London: V&A Publication.
  • Townshend, P. (2002) Toning with ‘paper extract’. The Paper Conservator, 26, pp 21-25.
  • Turner, S. (1998). The book of fine paper. New York: Thames & Hudson.
  • Webber, P. & Norton, A. (1998). The power of the poster and paper Conservation. London: V&A, Conservation Journal, pp 13-17.